This church is in a village near Linas, France.
I was editing photos today, but suddenly I got stuck being creative with this portrait of Jay Sampaguita. Now the day has gone.
My entry for this weeks photo challenge: Anticipation
Edit: Here’s a lullaby to go with it.
I’ll admit that this portrait is shot using artificial light. I might also have altered the image slightly using software. If you ever come across a woman looking like this, then quickly head for a new horizon..
Check out Paula’s post for more B&W Sunday stuff or WordPress for more horizons:
In her latest post, Paula asks the question: «Mirrors do not always show the true state of things, do they?».
No, they don’t. Mirrors flip everything in a Z direction. If you’re interested in the physics behind it, you can check out Physics Girl on YouTube and her video “Why do mirrors flip horizontally (but not vertically)?”. A self-portrait is kind of like a way of mirroring yourself, but I can assure you that this digitally manipulated self-portrait does not really mirror the true state of things…
Speaking of self-portraits: For a while I’ve been contributing to a blog that posts self-portraits, but recently I got banned from this blog and all my works there got deleted. Here are the reasons and I’ve added my comments to it as well:
There have now been three instances where I have chosen to delete comments from you – twice on the blog and once on Instagram.
1. A comment lacking sensitivity towards a cross-dressing contributor.
– When I wrote the comment I misunderstood and thought that the cross-dresser was dressing up for the photo, so I wrote something like “this is hilarious and brilliant”. A few minutes later I realized that I was mistaken and immediately withdrew my comment and explained the reason.
2. ‘Woo hoo’ in response to the first full frontal female nude that I posted. You’ve told me that that’s what you say when you like something, but I found it inappropriate in this context.
– Woohoo is a compliment and besides: if a person doesn’t want feedback on his/hers photos, then they shouldn’t post them online.
3. On Instagram: The cruel treatment of battery hens is no cause for making jokes. The suffering of any sentient being is abhorrent.
Of course you are entitled to your views and opinions, but I am entitled to censor as I see fit on my sites.
– What? We’re getting offended on behalf of the chicken population of the world now? I was inspired by a comedian that made some jokes on free range chickens (Alan Carr: Tooth Fairy Live | Fowl Play | Channel 4) and wrote some hilarious comments on one of your posts with a chicken photo.
Grow the fuck up. If you can’t handle comments, you shouldn’t run a blog. Getting offended on behalf of chickens? That’s just beyond retarded.
Here’s Steve Hughes thoughts on being offended:
That’s it for today’s Thursday’s Special post.
Go check out what Paula’s up to: https://bopaula.wordpress.com/2016/06/23/thursdays-special-mirroring/
Some Absinthe info from Wikipedia:
Absinthe is historically described as a distilled, highly alcoholic (45–74% ABV) beverage. It is an anise-flavoured spirit derived from botanicals, including the flowers and leaves of Artemisia absinthium (“grand wormwood”), together with green anise, sweet fennel, and other medicinal and culinary herbs. Absinthe traditionally has a natural green colour but may also be colourless. It is commonly referred to in historical literature as “la fée verte” (the green fairy). Although it is sometimes mistakenly referred to as a liqueur, absinthe is not traditionally bottled with added sugar; it is therefore classified as a spirit. Absinthe is traditionally bottled at a high level of alcohol by volume, but it is normally diluted with water prior to being consumed.
Absinthe originated in the canton of Neuchâtel in Switzerland in the late 18th century. It rose to great popularity as an alcoholic drink in late 19th- and early 20th-century France, particularly among Parisian artists and writers. Owing in part to its association with bohemian culture, the consumption of absinthe was opposed by social conservatives and prohibitionists. Ernest Hemingway, James Joyce, Charles Baudelaire, Paul Verlaine, Arthur Rimbaud, Henri de Toulouse-Lautrec, Amedeo Modigliani, Pablo Picasso, Vincent van Gogh, Oscar Wilde, Marcel Proust, Aleister Crowley, Erik Satie, Edgar Allan Poe, Lord Byron and Alfred Jarry were all known absinthe drinkers.
Absinthe has often been portrayed as a dangerously addictive psychoactive drug and hallucinogen. The chemical compound thujone, although present in the spirit in only trace amounts, was blamed for its alleged harmful effects. By 1915, absinthe had been banned in the United States and in much of Europe, including France, the Netherlands, Belgium, Switzerland and Austria-Hungary. Although absinthe was vilified, it has not been demonstrated to be any more dangerous than ordinary spirits. Recent studies have shown that absinthe’s psychoactive properties (apart from that of the alcohol) have been exaggerated.
The French word absinthe can refer either to the alcoholic beverage or, less commonly, to the actual wormwood plant, with grande absinthe being Artemisia absinthium, and petite absinthe being Artemisia pontica. The Latin name artemisia comes from Artemis, the ancient Greek goddess of the hunt. Absinthe is derived from the Latin absinthium, which in turn comes from the ancient Greek ἀψίνθιον apsínthion, “wormwood”. The use of Artemisia absinthium in a drink is attested in Lucretius’ De Rerum Natura (I 936–950), where Lucretius indicates that a drink containing wormwood is given as medicine to children in a cup with honey on the brim to make it drinkable.
Absinthe’s popularity grew steadily through the 1840s, when absinthe was given to French troops as a malaria preventive. When the troops returned home, they brought their taste for absinthe home with them. The custom of drinking absinthe gradually became so popular in bars, bistros, cafés, and cabarets that, by the 1860s, the hour of 5 p.m. was called l’heure verte (“the green hour”). Absinthe was favoured by all social classes, from the wealthy bourgeoisie, to poor artists and ordinary working-class people. By the 1880s, mass production had caused the price of absinthe to drop sharply. By 1910, the French were drinking 36 million litres of absinthe per year, as compared to their annual consumption of almost 5 billion litres of wine.
The drink was banned in France in 1914.
Absinthe has been consumed in the Czech countries (then part of Austria-Hungary) since at least 1888, notably by Czech artists, some of whom had an affinity for Paris, frequenting Prague’s famous Café Slavia. Its wider appeal in Bohemia itself is uncertain, though it was sold in and around Prague.
In 1905, it was reported that Jean Lanfray, a Swiss farmer, murdered his family and attempted to take his own life after drinking absinthe. The fact that Lanfray was an alcoholic who had consumed considerable quantities of wine and brandy prior to drinking two glasses of absinthe was overlooked or ignored, therefore placing the blame for the murders solely on absinthe.
In May 2011, the French Absinthe Ban of 1915 was repealed following petitions by the Fédération Française des Spiritueux, who represent French distillers.
A water carafe is the most basic and original way to add water. As with other items, many have been found with brand names on them. The carafe is held above the glass and water is delicately added in a thin stream.
Fountains appeared in bars and bistros in the late 1800s as absinthe gained greater popularity. Most often it was a large glass globe on a tall metal stand that held between two and six spigots. It allowed a small party of drinkers to accurately prepare their absinthe all at once with a slow, thin stream of cold water but did not require the steady hand required by a carafe.
Now you can follow me on my public and official Instagram: https://www.instagram.com/cguzmanofficial/